- Real Name
- Ryn S
- Device
- Deep Purple 14 Pro Max
I said I would try the Distress Oxide inks over a photo....maybe this wasn't the right photo? but I'm not done experimenting yet. This is one of the bathroom window photos, printed out on white cardstock (archival paper) and on the left is how it came out of the printer; on the right is a copy with oxides over top. I tried two techniques 1) putting oxide ink on my craft sheet, spritzing with water, swirling paper through it and drying with craft/hair dryer.
The video of designer Tim Holtz demo-ing the oxide inks at CHA-2017
2) applying ink through stencils with a Ranger foam blending tool then spritzing from a distance to activate the distress oxide, then drying with dryer before printer ink or first layer of oxide could be reactivated.
I wanted to add that as I was working with this, it "felt" like the printer ink was "sucking up" the oxides but that might have been because the pic is dark on the edges...I am going to try this on a lighter image and see if it's a quality that happens because of the cardstock/printer ink combo or if it was just a sensation caused by not clearly seeing the oxide on the dark colors.
The video of designer Tim Holtz demo-ing the oxide inks at CHA-2017
2) applying ink through stencils with a Ranger foam blending tool then spritzing from a distance to activate the distress oxide, then drying with dryer before printer ink or first layer of oxide could be reactivated.
I wanted to add that as I was working with this, it "felt" like the printer ink was "sucking up" the oxides but that might have been because the pic is dark on the edges...I am going to try this on a lighter image and see if it's a quality that happens because of the cardstock/printer ink combo or if it was just a sensation caused by not clearly seeing the oxide on the dark colors.