First,
JillyG Jilly, whose untitled (delightfully) scary pumpkin-scarecrow most closely matched my idea of “through the eyes of a child”
Equal 2nd
rizole Sam’s “Leaving the body” for its home-movie effects. I can imagine Sam showing it at his sons’ 21st parties
and
juryjone Jerry’s iconic foreboding in “Stop at the gatekeeper’s house”
HMs to Jilly for stellar artistic multipurposing with her biscuit tin
and to
RoseCat Catherine for her [habitual] touch of the beautiful in the mystical ”Into the wood”